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032c Cover with Nicolas Ghesquière and Charlotte Gainsbourg

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Ghesquiere's Greatist Hits at Balenciaga

Ghesquiere’s Greatist Hits at Balenciaga

Although he left Balenciaga last November, designer Nicolas Ghesquière continues to captivate the press and secure editorials. But let’s not forget, he was called “the most important designer of our generation” and “fashion’s most sought-after and influential figure” by Cathy Horyn and American Vogue. System, a new Paris insidery fashion magazine, recently released an interview with Mr. Ghesquière with the writer&editor Jonathan Wingfield. Now about to be released summer issue of Berlin magazine 032c, (one of our favorites), features Ghesquière on the cover in an embrace with actress Charlotte Gainsbourg, his muse, plus 38 pages inside. We turn to Miles Socha at WWD to learn more:

032c Summer Cover 2013The magazine calls the feature its “monument” to Ghesquière’s final season, with Gainsbourg posing for photographer Karim Sadli in looks from the spring collection. Meanwhile, in the 14,000-word article by Pierre Alexandre de Looz, the designer breaks his silence on his split from Balenciaga and drops a few choice hints about his future plans — while skirting widespread speculation he will work with LVMH Moët Hennessy Louis Vuitton in some capacity, possibly launching his own brand.

“Ideally, I’d like to give myself a six-month break, to travel and discover things. I’m not sure it’ll happen because some interesting projects are on the horizon,” he says. “Given the projects and the offers I have on the table, the trick is to think about what is most inspiring, what can become a new way of working.”

Later in the article, he seems torn between the golden handcuffs of a megabrand and the route less traveled. “I’m preparing something, but I have choices to make. I will announce something when I am ready,” he said. “Now is my time to question interseasonality — it’s always the opposite season somewhere in the world — and fashion’s need to be global while respecting the environment and local cultures and of course the usual six-month cycle for collections. I may decide to fulfill that mission again, and I’ll enjoy it as I always have. Another part of me absolutely wants to break these rules. I may be putting myself in danger, but that’s what I want these days. I enjoyed years of extreme comfort at Balenciaga. It’s fantastic to harvest that status to explore in new ways, rather than sticking to a routine, even if it was the most comfortable and incredible, I couldn’t be in a better position.”



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